Tamil offers me the chance to work with some distinct directors,” he says. “There are discussions, and films with Bala and Ameer are in the pipeline. The actor also plans to do more Tamil films. “Many filmmakers are taking a leap of faith to create something novel, to stick to the grammar that the story demands.” Rana, who admits cinema is the only thing he knows, says he supports a culture where movies are made with different budgets, for different audiences, so that there is variety. We can access the information if we wish to, so we must.” Ultimately, we are storytellers and must find these tales. Most of us are stuck in genres and formulae. When we often, but never really knew the history of the submarine. The pacing in Tamil and Telugu is very different from Malayalam cinema.
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He’s retained the soul, but made everything else more vibrant. It helped that the remake was being directed by Bommarillu Bhaskar, known for his “sensible, sensitive cinema”.
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Somehow, it comes a full circle - you understand the journey of that character.” The actor, who received much appreciation for his roles in the sweeping sagas Baahubali and Rudhramadevi, and Mana Madras Kosam, his social service initiative following the Chennai floods, reprises the role of Fahadh Faasil in the remake, which releases on February 5. “I learnt it had been bought by PVP, and when they approached me for Bangalore Naatkal, I jumped at the offer,” says Rana. He emerged from the theatre determined to pick up the remake rights. show of Bangalore Days, starring his friend Dulquer Salmaan, on the second day of its release in Hyderabad.